Paradoxes hold everything together, not just in Inception’s plot, but in your life and mine.
We don’t flinch at sin. We speak Christ into it.
One might say that the first statement of the Reformation was that a saint never stops repenting.

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He is the God who makes His glory visible in lowliness and servitude. He is the God who is so poor that He must borrow a donkey to ride into Jerusalem.
Warning, Remember, O man, that thou art dust… And lust, he mocks in mute self-condemnation.
As it turned out, the novels in which I had sought escape, became part of the means whereby the Lord rescued me from my own death.
All other subjects—even Biblical subjects—were subservient to an accurate view of the Person and work of Jesus Christ for sinners.
What every heresy does, in one way or another, is ungods God, unchristens Christ, uncrucifies the Crucified. It strikes through the good of Good News.
But I remember that that’s how it ended. Words. Wine. Blood. A sudden halt to the conversation.
Behold the seemingly foolish ways of our wise God. He bids us embrace what appears impossible: that blood alone is our defense, that blood alone saves us from destruction, that the blood of a lamb is more than enough.
With but a donkey's jawbone He whacked a thousand men And iced yet even more
(This article first appeared in Modern Reformation and is posted here with permission.)
The soles of the holy feet of God traverse the soil of the holy land of promise.
If Abel’s blood is spilled all over the ground or if a mere speck had been lodged in the fabric of Cain’s shirt, that blood cries out. It has a voice and it will speak to whomever is willing to listen.
That hunger to connect with one who is greater than we are will be satisfied only in the one who created that hunger within us in the first place.