We can bring our troubles, griefs, sorrows, and sins to Jesus, who meets us smack dab in the middle of our messy mob.
Confession isn’t a detour in the liturgy. It’s the doorway.
American religion did not become optional because the gospel failed. It became optional because religion slowly redefined itself around usefulness.

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When God cancels you, it is an occasion for all of the canceled who are in heaven and earth to rejoice in that one more is added to our number.
The accent of Scripture emphasized that Christ is for you. Yes, you. He’s not for the perfect people of our imaginations. He’s not just for Abraham, Moses, David, Peter, or Paul. Christ is also for you.
Freedom and reconciliation were significant themes for both of the Martin Luthers.
In our transactional view of our faith - “If I don’t… then God won’t.” “I need to, so God can” - we are seriously underestimating who we are dealing with.
This tale of two professors has a common theme, plot, and denouement - the good news of the one true story, Jesus Christ crucified for you.
Jesus knows you and everybody else come from a long line of life wasters going all the way back to Adam. Jesus died for life wasters! Let go of your bootstraps. Stand back up. Your Father loves you.
Good works do not give us a righteousness that exceeds that of the scribes and Pharisees. Rather, good works result from righteousness given by the good work of the Righteous One on the cross.
What more could God do to prove to us that he is for us and not against us than to give his own Son into this fallen world to take the cross in our place, exchanging his righteousness for our many sins.
The church does well to remind the world that God is unmasked, indeed, that God has unmasked himself in the person of Jesus.
Perhaps this past year has prompted the recognition that God is not the tame projection of our highest hopes and dreams. Instead, he is the one who uses even his foes to make a point.
Any good work we perform among you; any doctrine we write upon your heart – that is God’s own work.
The setting for Luke 2 is the first century analog to my backyard. The stage is dressed with rust and decay, guilt and shame, sin and death.