Why did the church dedicate a day to St. Michael anyway? Who is he, and what does he do?
The Antichrist offers another continual presence. It is every whisper that tempts us toward autonomy, that tells us to carry it alone, that insists suffering is meaningless.
He is the God who always is, whose Word is true, and never fails. He is a God who acts and always does what he says he’s going to do.

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As a parent listens for the cry of a hurting child, our heavenly Father waits for our cry of weal and woe.
Out of great pain and suffering often comes goodness, beauty, and truth. John Donne, born on the 22nd of January in 1573, is an excellent example of that for us in his masterful work, Death Be Not Proud.
For God to shine his face upon us is the same as saying, “Christ Jesus is with us.”
The accent of Scripture emphasized that Christ is for you. Yes, you. He’s not for the perfect people of our imaginations. He’s not just for Abraham, Moses, David, Peter, or Paul. Christ is also for you.
As human beings, we usually think that mercy should have limits; that it should never exceed its confines. This attitude is rooted deeply in the human heart.
In our transactional view of our faith - “If I don’t… then God won’t.” “I need to, so God can” - we are seriously underestimating who we are dealing with.
Jesus knows you and everybody else come from a long line of life wasters going all the way back to Adam. Jesus died for life wasters! Let go of your bootstraps. Stand back up. Your Father loves you.
My deepest awareness of myself is that I am deeply loved by Jesus Christ and I have done nothing to earn it or deserve it.
What more could God do to prove to us that he is for us and not against us than to give his own Son into this fallen world to take the cross in our place, exchanging his righteousness for our many sins.
The church does well to remind the world that God is unmasked, indeed, that God has unmasked himself in the person of Jesus.
Perhaps this past year has prompted the recognition that God is not the tame projection of our highest hopes and dreams. Instead, he is the one who uses even his foes to make a point.
The setting for Luke 2 is the first century analog to my backyard. The stage is dressed with rust and decay, guilt and shame, sin and death.