Paradoxes hold everything together, not just in Inception’s plot, but in your life and mine.
We don’t flinch at sin. We speak Christ into it.
One might say that the first statement of the Reformation was that a saint never stops repenting.

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We sing, and in so doing, we are blessed as we are instilled with the word of God in word and song.
From all accounts, everyone in Nazareth would have just thought of Jesus as a very good boy who obeyed his parents and worked hard with his father as a tekton’s apprentice in the family trade.
In the midst of the Word of God being spoken, she felt for the first time God had revealed Himself to her, not as the terrifying judge she feared, but as the loving and tender father He is.
It is the words the pastor speaks that send the dead out alive.
Looking back on the year, the narrative we’re fed is that we should be able to show how much we’ve grown, how much we’ve done, all the successes we’ve had, how improved we are.
Christians are given a new name at baptism. We are given the Triune name of Father, Son, and Spirit.
The real power of his hymn comes from the fact that Bonhoeffer does not offer a rosy picture of life or any of the tropes so typical of cheap piety that tell us that everything is always right, that things happen for a reason, and that we should try to stay positive.
It is that Christmas carol, the curious “We Three Kings” that we are looking at today in our examination of the origin and meaning of Christmas carols.
We think that if we are good enough, brave enough, or at least if we try hard enough, we will be someone who can be both fully known and fully loved.
Christmas is, therefore, the beginning of Christ’s earthly ministry, even while he awaits a number of years to gather his disciples and inaugurate his preaching of the kingdom.
One gloomy, silent night, God stepped into our darkness. The Word had not only spoken but was now made flesh.
If Christmas is about Jesus, and it definitely is, then the real question should be: What’s Jesus all about?