Wisdom and strength require bootstrap-pulling and the placing of noses to grindstones.
“If the Son sets you free, you will be free indeed” (John 8:36).
How do the words “The righteous shall live by his faith” go from a context of hope in hopelessness to the cornerstone declaration of the chief doctrine of the Christian faith?

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God preserves language so he might continue to communicate his love and grace to us, and that we might communicate his love and grace to others.
Apathy, melancholy, and disillusionment plague the footsteps of the up-and-coming generations more than ever, especially in the realm of religion, and it’s worth asking, “Why?”
When it comes to the Book of Concord, there are really two types of people: those who read the contents and see a series of rap albums, and those who aren’t Flame.
Jesus Christ is our peace because he doesn't criticize us. He declares us freed from our perceptions to accept the truth about ourselves.
Since the law is our mother-tongue, we naturally assume it’s the only language that exists; this ceaseless, damning voice reminding us that we are not all that we should be.
So, what do we pray? What do we say? In times of fear, in times of chaos, in unprecedented times, we pray and say the words that have been written on our hearts.
And because Jesus on the cross was sin in its entirety, God cannot look at him. He turns his face away, causing Jesus to cry out in utmost agony, “My God, My God, why have you forsaken me?”
Out of great pain and suffering often comes goodness, beauty, and truth. John Donne, born on the 22nd of January in 1573, is an excellent example of that for us in his masterful work, Death Be Not Proud.
Rituals resist domestication and confront us with a world and worldview brought forth from the Bible and through twenty centuries of Christianity for the purpose of arresting our contemporary worldview through its self-sameness.
Perhaps this past year has prompted the recognition that God is not the tame projection of our highest hopes and dreams. Instead, he is the one who uses even his foes to make a point.
The setting for Luke 2 is the first century analog to my backyard. The stage is dressed with rust and decay, guilt and shame, sin and death.
People do not seek the gospel because they want to, but because God’s Word drives them to it.