We can bring our troubles, griefs, sorrows, and sins to Jesus, who meets us smack dab in the middle of our messy mob.
Confession isn’t a detour in the liturgy. It’s the doorway.
American religion did not become optional because the gospel failed. It became optional because religion slowly redefined itself around usefulness.

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Wisdom and strength require bootstrap-pulling and the placing of noses to grindstones.
This is the first installment in the 1517 articles series, “What Makes a Saint?”
The doctrine of the Trinity is not so much the story of a “who-dunnit” as it is the story of the “who-is-it.”
The Psalm now is this: as Christ suffered and then was exalted, so we are also in him.
Apart from the confession that Jesus of Nazareth is the Christ of God who suffered and died for the forgiveness of sins and rose again to justify the ungodly, there is no Christian faith.
We are called to believe in the church even when we don’t believe in the church.
The liturgy ensures that the gospel is never something inward, merely a thought or sentiment of the believer.
The story being told in the film is not Bonhoeffer’s story. It’s not the Confession Church’s story. Nor is it the story of the German resistance against Hitler. It is a completely fictional story of Hollywood.
By the end of this prayer of wrestling, David finally has the strength to claim victory over his lying enemies.
The Great King comes for us.
Ambrose's preaching continues to ring out in churches around the world, especially during Advent when we sing his magnificent, proclamatory hymn, "Savior of the Nations, Come."
The crucified and risen Christ comes to renew, restore, and build up.