We needn’t fear statistics and studies as palm readings into a certain future. God is God, and his Spirit is alive through his Word.
Christ does not hide his wounds. He offers them.
The church does not await a verdict; she proclaims one.

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In the liturgy, Christ is present, self-giving, and ever-addressing his people.
Luther’s famous treatise contains great consolation for Christians struggling with grace, suffering, and hope.
The addict’s condition speaks a hard truth: that we are all beggars before God, every one of us bent toward the grave.
The liturgy ensures that the gospel is never something inward, merely a thought or sentiment of the believer.
The story being told in the film is not Bonhoeffer’s story. It’s not the Confession Church’s story. Nor is it the story of the German resistance against Hitler. It is a completely fictional story of Hollywood.
There is no one — not now, not ever — who cannot be included in the family of God through the efficacy of Christ’s saving power.
What do we do with Katie Luther? What kind of historical character can we paint her to be?
Jesus, the true Bridegroom, erases that mistake by his own compassionate, saving act. Isn’t this also a picture of the gospel?
By the end of this prayer of wrestling, David finally has the strength to claim victory over his lying enemies.
There is a “re” involved with baptism, but unlike the Anabaptists, it’s not a “re-do,” but a “re-turn" or a “re-member.”
"When God has his say, have confidence that his Word and sacraments bestow precisely what he says."
The gospel is best understood in terms of those two most important words: for you.