If the church is going to speak to people weary of religion, it will not be by offering better techniques or louder certainty, but by daring to say what Paul so plainly said: Christ is enough.
Surveying Scripture, it is an immense comfort to know we’re not alone in our sinfulness.
Christian faith is never a solitary possession. When the congregation confesses, the old speak for the young, the strong for the weak, and the clear-voiced for the trembling.

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His provision always flows downward, furnishing and filling us with his grace and truth right where we are.
This is the first in a series meant to let the Christian tradition speak for itself, the way it has carried Christians through long winters, confusion, and joy for centuries.
The crisis is not merely that people are leaving. The crisis is that we have relinquished what is uniquely Lutheran and deeply needed.
The ethos of the church’s worship is found in poor, needy, and desperate sinners finding solace and relief in the God of their salvation.
Wake Up Dead Man is not ultimately a story about mystery, exposure, or even justice. It is a story about what happens when mercy speaks to death—and death listens.
Christmas is not for remembering, thinking, pondering, trying to make sure you are really celebrating it properly, or for wondering whether you truly have faith.
To know the cure is not to become immune to sorrow.
What God perceives is not what our eyes see; he is focused on righteousness because his love creates what is righteous.
It is death that deserves derision, not the disciple who reaches through sorrow for his Lord.
The unity of God’s people is grounded not in lineage nor land but in the promise of the coming Christ.
“The well that washes what it shows” captures the essence of Linebaugh’s project, which aims to give the paradigmatic law-gospel hermeneutic a colloquial and visual language.
Why would David write this psalm for all to read when he was no longer God’s greatest king, but rather God’s greatest sinner?