The following entries are excerpts from Chad Bird’s new book, Untamed Prayers: 365 Daily Devotions on Christ in the Book of the Psalms (1517 Publishing, 2025), pgs. 311 and 335
09/29/25
Why did the church dedicate a day to St. Michael anyway? Who is he, and what does he do?
09/26/25
The Antichrist offers another continual presence. It is every whisper that tempts us toward autonomy, that tells us to carry it alone, that insists suffering is meaningless.
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04/23/25
It’s easy to understand the allure of the shroud. In a skeptical age, a physical relic that appears to bear the imprint of the risen Christ seems like proof positive of the faith.
02/25/25
Despite the mathematical incongruity, the church confesses that Christ is one hundred percent human and one hundred percent divine.
02/24/25
Jesus refreshes you with the promises of the gospel, wrapped in the words of Scripture, drawn in the pictures of the sacraments.
02/21/25
Polycarp’s faith, life, writings, and even his death revealed the fruit of faith and love grafted into his heart by Christ the Vine.
02/19/25
Jesus is very difficult to bring down. That’s the power of it.
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01/20/25
"When God has his say, have confidence that his Word and sacraments bestow precisely what he says."
01/07/25
We now are the magi: we worship Christ because of who he is, but also because of what he has done for us and what he continues to do in his gift-giving to us.
01/06/25
Epiphany continues the work done at Christmas, bringing light and life to a dying world desperate for hope.
12/17/24
Ambrose's preaching continues to ring out in churches around the world, especially during Advent when we sing his magnificent, proclamatory hymn, "Savior of the Nations, Come."
11/21/24
Christ is the beating heart of Christian faith and its only object.
11/20/24
This is the basic argument of To Gaze upon God: that we who now see as if behind a veil will one day enjoy the unveiled splendor of God himself, who will dwell with us forever.
10/28/24
If we picture the New Testament as a divinely painted masterpiece that hangs in the middle of a museum, then all around it are other works of the period, in different corridors of the museum, in many styles, painted by diverse artists, with variations of color and technique.
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