Auden understands Luther’s doctrine of justification by faith not as a mere theological platitude, a trick of biblical grammar, or a catchphrase for men to rally around.
Our Lord Jesus builds, forms, and fashions his church as an artist forms a mosaic.
Luther felt the reform of the church could not simply remain a matter of aesthetics and practice. Something much deeper needed to be rooted out.

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The same Spirit who gives us his overabundant life has also given us doctrine. Scripture and Spirit cannot be put in opposition to each other.
Erasmus sought to find meaning behind the words of Scripture in order to make an ultimate claim. Luther, on the other hand, found the Gospel to be meaningless outside of Christ and his Cross.
One could reason that God might, at least, give the church a little worldly power.
While the insights in each chapter are uniquely personal to the individual writers, the overarching theme is one of the sufficiency of Christ.
Wilson reminds his reader over and over again that, in his love, God accepts sinners as they are so that we may be delivered from the self-acceptance, self-worship, and self-justification of our selfish definitions of love.
Christ has taken our failures and defeats and exchanges that yoke for his own.
Even if not a turning point, 1518 is a point of no return for Luther.
The Son of God is still God the Son in the Incarnation.
Our Lord is not only the King of creation but the King of creativity.
Bulls, lions, dogs. Why all these metaphors from the animal kingdom to describe humanity as it encircles the crucified Savior? Because the man on the cross, God incarnate, is there for all creation, not just humanity.
The entrance of children into the world reminds our world of the hope of redemption in Genesis 3:15.
God and Jeremiah may have been looking at the same person, but they were seeing very different things.