Luther felt the reform of the church could not simply remain a matter of aesthetics and practice. Something much deeper needed to be rooted out.
While God can, and often does, appear to people face to face, he also often employs the use of several types of messengers.
The “further up and further in” we go, the table keeps getting bigger, the guest list keeps getting longer, and the grace keeps on flowing.

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The earliest followers of God sang their faith, which is no different today as we sing of the hope we have in Jesus.
Authentic proclamation, then, is the love of Christ for our souls, which we have seen and experienced through the under-shepherd’s pastoral care put into the words of Christ Himself.
The sign of the cross, according to the earliest centuries of Christians, is “the sign of the Lord,” and every baptized Christian was “marked” with it.
The answer to our messages is God's "yes," Jesus, who sends his preachers to proclaim that there's no place for us now other than in the grip of our God and Savior.
The sermon takes place in the context of a multi-facetted set of relationships experienced through the weeks and months of being together in congregation and community. Those relationships shape the credibility of the preacher in the pulpit. 
The usual acclamation when one becomes King is: “Long live the King!” But this King of kings, this son of David, has come to die.
Psalm 98, with its promise of a sea and mountains singing, takes these imposing natural features and turns them into a praise choir.
Despite our best efforts to avoid him, King Jesus remains very much unavoidable.
God the Father sent us – his wayward, sinful, and naughty children – his own series of Father Christmas Letters.
Psalm 8 is a trailer for the entire biblical movie, and the entire biblical movie centers on Christ.
Hains offers a novel yet simple contention: Luther is most catholic where he is boldest.
When and how did the church start this season of anticipation?