When you step into the Lord’s house, he gives you a liturgical imagination to see with eyes of faith all of his goodness and grace.
The thief is the prophetic picture of all of us, staring hopelessly hopeful at the Son of God, begging to hear the same words.
The Solas are not just doctrinal statements. They are the grammar of Christian comfort.

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We treat the Scriptures as if they’re our literary property to toy with as we please.
Attacked by sin, robbed by Satan, lacerated by death—there we lay, unable to help ourselves. Yet He helps us who can never help ourselves.
We are continuing our summer series on a theology of worship through the lens of language. Before moving forward, let me highlight a few points by way of review.
It’s a miracle anyone believes the Gospel. It goes against everything else we believe in.
One of the interesting things about Paul’s writings that is not noticed enough is that Paul doesn’t really have an “application” section.
Today, if you look closely at my left eye, you’ll see one tiny speck of powder embedded in the whiteness.
Why was Jesus crucified? Not to save victims, but to save sinners.
The time constrained authoring of the Augustana caused great angst, for the part of Melanchthon that was never satisfied with his own literary output.
The dying words of Jesus were not, “Make it worth it,” but “It is finished.”
Jesus takes that burden away in the “I forgive you and them” and gives us His “light” burden.
There is no pain like the pain of being mistreated by those who, above all others, you expect to love you unconditionally.
What we see in the face of this God is not a loathing expression. We find the face of a compassionate man who knew all about shame himself.