Living by faith has never been about what we bring to the table. It has always been, and always will be, about what God does for us when we can’t do anything for ourselves.
The entire history of Protestantism is downstream of a goldsmith in Mainz figuring out how to cast identical pieces of lead type in less than a minute.
When we despair of ourselves, we repent of these self-justifying schemes and allow ourselves to be shaped by God, covered in Christ’s righteousness, and reborn with a new heart.

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We can’t remove our crosses or the reality of our deaths. Only Jesus can.
People everywhere, every day, feel God’s wrath—and not as merely an afterlife threat but as a present reality.
When Dostoevsky died on February 9, 1881, he left behind novels that refuse to flatter the reader or simplify the human condition.
We believe in a Savior who raises the dead: this is why the church is the one place on earth that can speak plainly about abortion without collapsing into despair.
This is the third in a series meant to let the Christian tradition speak for itself, the way it has carried Christians through long winters, confusion, and joy for centuries.
We can bring our troubles, griefs, sorrows, and sins to Jesus, who meets us smack dab in the middle of our messy mob.
Confession isn’t a detour in the liturgy. It’s the doorway.
American religion did not become optional because the gospel failed. It became optional because religion slowly redefined itself around usefulness.
The crisis is not merely that people are leaving. The crisis is that we have relinquished what is uniquely Lutheran and deeply needed.
Wake Up Dead Man is not ultimately a story about mystery, exposure, or even justice. It is a story about what happens when mercy speaks to death—and death listens.
Merry Christmas, Christ has spoken, and his verdict stands.
“The well that washes what it shows” captures the essence of Linebaugh’s project, which aims to give the paradigmatic law-gospel hermeneutic a colloquial and visual language.