The ascension is not about Jesus going away. It's about Jesus taking his rightful place so that he might fill the world with his presence and power.
Those who venture through these pages will find a veritable gold mine for the task of theology today, especially in the realm of apologetics.

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Throughout the Old Testament, the seas and fish were symbols of the Gentiles. When Jesus ate fish, and called fishermen, he showed us that the mission to the Gentiles was about to begin in earnest.
From all accounts, everyone in Nazareth would have just thought of Jesus as a very good boy who obeyed his parents and worked hard with his father as a tekton’s apprentice in the family trade.
This is what makes the reading from John so frightening and yet so exciting. Notice how Jesus appears. Not in miracles, not in marvels, but in relationships.
One name repeatedly emerges from the heart and mind of Paul: Jesus. Jesus is Messiah, Jesus is Savior, Jesus is the world’s rightful and reigning King.
For the Israelites, the language of restoration cannot be separated from the language of resurrection.
The Word of God, the Eternal Logos, Jesus Christ himself is revealed to us by the power of the Holy Spirit. Little by little, we find that God hands us his story as our own.
In chapter 41 the servant is identified as Israel, but chapter 42 is a different servant. In fact, Matthew 12:18-21 makes the ID clear—this Servant is Jesus!
This text explicates the Christian life in light of the reality of Christ’s lordship and the gift of the Holy Spirit amidst a world and a Church which has not experienced the fullness of redemption and recreation itself.
Jesus did not need to be baptized. But he did it. Why?
In the midst of the Word of God being spoken, she felt for the first time God had revealed Himself to her, not as the terrifying judge she feared, but as the loving and tender father He is.
It is the words the pastor speaks that send the dead out alive.
The following is an excerpt from “Faithless to Fearless” written by David Andersen (1517 Publishing, 2019).