Baptism does not promise us chocolates or flowers, but something far greater: life in Christ.
The Promised Land invites us to laugh at how relatable it is to be exhausted and exasperated by all the people, and the egos and opinions they bring with them, that come with living.
Christians can pursue projects of justice free of the burden of being the justifier of the world; that office belongs to Christ and Christ alone.

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The phrase “works of the law” has an antithesis when it comes to righteousness—faith. What keeping the Law could not do, the gift of faith does.
To preach Christ and Him crucified is to reveal again the revealed God who saves.
Sometimes in hanging on to our useless guilt, we are idolaters. We believe our sin or conscience is more powerful than our God.
In the Reformation, as in the tabernacle, God gave skill, artistry, and craftsmanship to put his Word in images so that through art, his Word would be revealed.
We need to hear the gospel because it is good news that is not from you, or about you, or because of you.
Stoicism’s opening premise fails to understand that, from its conception, the heart is a thorny bramble.
Christ is not an idea. He isn’t a concept. He isn’t a religious notion or sentiment. He isn’t a product. He is the Savior, flesh and blood.
The German Bible made Sola Scriptura a reality for all believers.
Luther's September Testament not only shaped the reformers’ theology but also was as big an influence on the German language as Shakespeare was for English.
This is an excerpt from chapter 1 of “A Shepherd’s Letter: The Faith Once and For All Delivered to the Evangelical Church” written by Bo Giertz and translated by Bror Erickson (1517 Publishing, 2022).
Hymns were a means by which people were brought into direct contact with the Gospel that brought justifying faith. Set to music, they could readily memorize it, take it home with them, and rehearse its messages around the hearth and at work.
This is an excerpt from “All Charges Dropped! Devotional Narratives from Earthly Courtrooms to the Throne of Grace,” written by Haroldo Camacho (1517 Publishing, 2022).