Christianity need not retreat from investigation. Its central claim is that the Word became flesh, entered history, was crucified, and on the third day rose from the dead. That is not an embarrassment to be overcome. It is the claim we have been given to declare and defend.
In the end, your story isn’t an epic of personal glory. You aren’t the hero. Your Savior Jesus is.
Whether a Christian enjoys high church, low church, or something in between, aesthetics in the Church are not about any one individual person and their particular tastes. Aesthetics are, fundamentally, not a matter of legalism, but of edification—that the Gospel of Christ might be preached and taught to all peoples, unhindered by its medium.

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The addict’s condition speaks a hard truth: that we are all beggars before God, every one of us bent toward the grave.
The liturgy ensures that the gospel is never something inward, merely a thought or sentiment of the believer.
What do we do with Katie Luther? What kind of historical character can we paint her to be?
Wisdom lurks in the outer places. Rich gratitude sprouts from the impoverished and forgotten.
There is a “re” involved with baptism, but unlike the Anabaptists, it’s not a “re-do,” but a “re-turn" or a “re-member.”
The gospel is best understood in terms of those two most important words: for you.
It's a new year, and you are still the same you: a sinner who is simultaneously perfect in every way because Christ declares it to be so.
The narrative of the Nativity is what Christmas is all about.
This article is part of Stephen Paulson’s series on the Psalms.
The love of God is creative, always giving, always reviving.
Longstanding tradition must be bolstered by something outside of ourselves that also lies outside of the traditions of men.
This is an excerpt from Broken Bonds: A Novel of the Reformation by Amy Mantravadi (1517 Publishing, 2024), pgs. 24-27