Faith, for Peter, is not suspended in religious abstraction. It is tied to something that happened in time and space.
Baptism does not promise us chocolates or flowers, but something far greater: life in Christ.
The Promised Land invites us to laugh at how relatable it is to be exhausted and exasperated by all the people, and the egos and opinions they bring with them, that come with living.

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Longstanding tradition must be bolstered by something outside of ourselves that also lies outside of the traditions of men.
This is an excerpt from Broken Bonds: A Novel of the Reformation by Amy Mantravadi (1517 Publishing, 2024), pgs. 24-27
Christ is the beating heart of Christian faith and its only object.
This is the basic argument of To Gaze upon God: that we who now see as if behind a veil will one day enjoy the unveiled splendor of God himself, who will dwell with us forever.
Instead of a “how-to” manual, the Bible is a “what-you-didn’t-do” story.
No matter how many times we hear this good news, it never stops being good news.
Our faith is precisely where Paul puts it, namely, in the blood of Christ.
Just as trick-or-treaters arrive at doorsteps as beggars, we come to the Lord’s table with nothing to offer but our sin and need for forgiveness.
If we picture the New Testament as a divinely painted masterpiece that hangs in the middle of a museum, then all around it are other works of the period, in different corridors of the museum, in many styles, painted by diverse artists, with variations of color and technique.
Luther understood that music is an exceptional teaching tool.
God’s creatures on four legs are some of the greatest storytellers of the Scriptures.
This article is part of Stephen Paulson’s series on the Psalms.