But while scholars are right to focus on the bond between Martin and Hans, the evidence of Martin’s own words suggests their relationship may not have been as troubled as some suppose. For Hans Luther was not a cartoon villain but a normal human being attempting to make his way in the world and raise his children to the best of his ability.
Jesus offers something infinitely better. He tells us to put down our gavel—not because sin isn't real, but because the only Judge who has the right to condemn is the very One who was condemned for us.
From creative storytelling (see any of Jesus’ parables) to hymn-singing to poetry slams, God’s revelation refuses the confines of any single genre. The world beyond the wardrobe demands some serious attention, and Christians are uniquely qualified to give it just that.

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They were still praying, trusting, and hoping. Why? Because they knew who was with them and who was for them: the risen Christ.
In Christ, you are bound. Bound to mercy. Bound to grace. Bound to a God who won’t let you go. And because of that, you are free—gloriously, joyfully free.
When Jesus ascends, he does so, bearing gifts for you.
When you remember your baptism, you're not recalling a ritual. You're standing under a current of divine action that has not ceased to flow since the moment those baptismal waters hit your skin.
“The fear of the Lord” is our heart’s awakening to and recognition of God’s outrageous goodness.
We needn’t fear statistics and studies as palm readings into a certain future. God is God, and his Spirit is alive through his Word.
Dave weaves together music, movies, and documentaries to illustrate all the ways we seek relief—and then, full and free, he connects our need to Christ’s gift.
While I disagree with many things Francis did and believed, I think he deserves credit for this: Francis showed us what Christian leadership can look like.
Three Lenten songs express the same astonishing wonder of a Lord who willingly suffers and dies.
Albrech Dürer is said to have brought the Renaissance north of the Alps and perfected the mass production and distribution of images.
Kleinig continually directs the reader's attention to Christ and his gifts.
How intentional will we be about utilizing gospel spaces that already inescapably communicate?