Whether a Christian enjoys high church, low church, or something in between, aesthetics in the Church are not about any one individual person and their particular tastes. Aesthetics are, fundamentally, not a matter of legalism, but of edification—that the Gospel of Christ might be preached and taught to all peoples, unhindered by its medium.
Let us live by walking with Jesus, so that our Neo-Pagan neighbors, the witch, and frankly a lot of us Christians, can put down our crystals, our superstitions, our vision boards, and our bound sage in order to live out a liturgy of life, with rituals, practices, and behaviors that reflect who we are as followers of Christ.
As Jesus hung on the cross there would be no last second escape. No Greek goddess would swoop in to rescue him. He suffered alone. And yet even in that suffering he declared his victory on the spiritual battlefield to be your victory.

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They were still praying, trusting, and hoping. Why? Because they knew who was with them and who was for them: the risen Christ.
In Christ, you are bound. Bound to mercy. Bound to grace. Bound to a God who won’t let you go. And because of that, you are free—gloriously, joyfully free.
When Jesus ascends, he does so, bearing gifts for you.
When you remember your baptism, you're not recalling a ritual. You're standing under a current of divine action that has not ceased to flow since the moment those baptismal waters hit your skin.
“The fear of the Lord” is our heart’s awakening to and recognition of God’s outrageous goodness.
We needn’t fear statistics and studies as palm readings into a certain future. God is God, and his Spirit is alive through his Word.
Dave weaves together music, movies, and documentaries to illustrate all the ways we seek relief—and then, full and free, he connects our need to Christ’s gift.
While I disagree with many things Francis did and believed, I think he deserves credit for this: Francis showed us what Christian leadership can look like.
Three Lenten songs express the same astonishing wonder of a Lord who willingly suffers and dies.
Albrech Dürer is said to have brought the Renaissance north of the Alps and perfected the mass production and distribution of images.
Kleinig continually directs the reader's attention to Christ and his gifts.
How intentional will we be about utilizing gospel spaces that already inescapably communicate?