Josephus does not tell us that Christianity is true, and Christians do not need Josephus to tell them that Christ is risen. But Christianity makes claims about things that happened in public history under identifiable rulers, priests, and governors. For that reason, testimony from outside the church matters.
The student of Scripture should always have a map open next to their Bible as they read. If possible, they should also travel to Israel, not to make a pilgrimage, but to see the context of the land in which these stories took place. These are not fairy tales made up about fictional fantasy lands; these are stories about real people in real places interacting with a real God.
The word of assurance given to Moses at Sinai echoes through eternity on the lips of the Savior, untroubling troubled souls with the good news that there is one who walks the paths of life with you, and soon he’s coming to bring you to himself.

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They were still praying, trusting, and hoping. Why? Because they knew who was with them and who was for them: the risen Christ.
In Christ, you are bound. Bound to mercy. Bound to grace. Bound to a God who won’t let you go. And because of that, you are free—gloriously, joyfully free.
When Jesus ascends, he does so, bearing gifts for you.
When you remember your baptism, you're not recalling a ritual. You're standing under a current of divine action that has not ceased to flow since the moment those baptismal waters hit your skin.
“The fear of the Lord” is our heart’s awakening to and recognition of God’s outrageous goodness.
We needn’t fear statistics and studies as palm readings into a certain future. God is God, and his Spirit is alive through his Word.
Dave weaves together music, movies, and documentaries to illustrate all the ways we seek relief—and then, full and free, he connects our need to Christ’s gift.
While I disagree with many things Francis did and believed, I think he deserves credit for this: Francis showed us what Christian leadership can look like.
Three Lenten songs express the same astonishing wonder of a Lord who willingly suffers and dies.
Albrech Dürer is said to have brought the Renaissance north of the Alps and perfected the mass production and distribution of images.
Kleinig continually directs the reader's attention to Christ and his gifts.
How intentional will we be about utilizing gospel spaces that already inescapably communicate?