This ancient “tale of two mothers” concerns far more than theological semantics—it is the difference between a God who sends and a God who comes.
This story points us from our unlikely heroes to the even more unlikely, and joyous, good news that Jesus’ birth for us was just as unlikely and unexpected.
Was Jesus ambitious or unambitious? We have to say that the answer is…yes.

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We need to hear the gospel because it is good news that is not from you, or about you, or because of you.
Hymns were a means by which people were brought into direct contact with the Gospel that brought justifying faith. Set to music, they could readily memorize it, take it home with them, and rehearse its messages around the hearth and at work.
“There,” the Queen said, “That’s so much better than talking, isn’t it?”
Only by faith in Christ are we truly awake.
Cranach became the evangelical interpreter for the masses
At the heart of The Idiot is Dostoevsky's confession of faith and the confession of all Christians.
Faith is like a horse with blinders because it only beholds God’s promise. It is obsessed with what God has already said.
Finding the balance between indifferentism and obsessiveness has never been easy, and it’s especially difficult in our environment.
Sometimes I think we should be more tempted to laugh at the gospel than we are, not in derision but in sheer surprise and awe.
Whatever body part you are, the body of Christ is no pod person. Together, we’re a living, breathing, deathless whole.
Neomonasticism—that is, the idea that church work is more important than regular work—implies that God cares more about the spiritual than the physical.
Christian mercy should not seek its own. It must be round, and open its eyes and look at all alike, friend and foe, as our heavenly Father does.