Jesus didn’t enter the water because he was sinful; he entered the water because John was sinful, as are we all.
To not speak of hell is also to forget or ignore the great benefits of Christ and his saving work.
Christ’s saving work is finished, but his love is not locked away in the past.

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Sometimes the old story is the one we need to hear again and again.
Despite the mathematical incongruity, the church confesses that Christ is one hundred percent human and one hundred percent divine.
Jesus refreshes you with the promises of the gospel, wrapped in the words of Scripture, drawn in the pictures of the sacraments.
Polycarp’s faith, life, writings, and even his death revealed the fruit of faith and love grafted into his heart by Christ the Vine.
Jesus is very difficult to bring down. That’s the power of it.
In the liturgy, Christ is present, self-giving, and ever-addressing his people.
The story being told in the film is not Bonhoeffer’s story. It’s not the Confession Church’s story. Nor is it the story of the German resistance against Hitler. It is a completely fictional story of Hollywood.
There is no one — not now, not ever — who cannot be included in the family of God through the efficacy of Christ’s saving power.
What do we do with Katie Luther? What kind of historical character can we paint her to be?
Jesus, the true Bridegroom, erases that mistake by his own compassionate, saving act. Isn’t this also a picture of the gospel?
"When God has his say, have confidence that his Word and sacraments bestow precisely what he says."
Epiphany is one of the most important festivals of the church year, although often sadly overlooked.