Wade Johnston, Life Under the Cross: A Biography of the Reformer Matthias Flacius Illyricus, Concordia Publishing House, St. Louis: MO, 2025.
This ancient “tale of two mothers” concerns far more than theological semantics—it is the difference between a God who sends and a God who comes.
This story points us from our unlikely heroes to the even more unlikely, and joyous, good news that Jesus’ birth for us was just as unlikely and unexpected.

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Reading includes, on some level, striving. Hearing, on the other hand, remains passive.
Love is pointing to Jesus who said, “Greater love has no one than this, that someone lay down his life for his friends” (John 15:13).
The further up and further into the season of Epiphany we get, the bigger the grace of God in Christ is, the brighter the Light of Christ shines, and the more blessed we are in Jesus' epiphany for us.
Toy Story is indeed a Christmas story.
The good news of the Gospel is Jesus has come, and Jesus will come again.
Even though All Saints is a day for remembering the dead, it is not a day of mourning.
There is no true life and meaningful community apart from forgiveness.
In the Reformation, as in the tabernacle, God gave skill, artistry, and craftsmanship to put his Word in images so that through art, his Word would be revealed.
Do you confess Christ as God in the flesh, born, died, and raised to new life for you? Any answer of yes will do
Hymns were a means by which people were brought into direct contact with the Gospel that brought justifying faith. Set to music, they could readily memorize it, take it home with them, and rehearse its messages around the hearth and at work.
“There,” the Queen said, “That’s so much better than talking, isn’t it?”
My words are peanuts compared to the porterhouse of God’s Word.