This is the first in a series meant to let the Christian tradition speak for itself, the way it has carried Christians through long winters, confusion, and joy for centuries.
The crisis is not merely that people are leaving. The crisis is that we have relinquished what is uniquely Lutheran and deeply needed.
The ethos of the church’s worship is found in poor, needy, and desperate sinners finding solace and relief in the God of their salvation.

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Christ is the beating heart of Christian faith and its only object.
No matter how many times we hear this good news, it never stops being good news.
Our faith is precisely where Paul puts it, namely, in the blood of Christ.
Just as trick-or-treaters arrive at doorsteps as beggars, we come to the Lord’s table with nothing to offer but our sin and need for forgiveness.
If we picture the New Testament as a divinely painted masterpiece that hangs in the middle of a museum, then all around it are other works of the period, in different corridors of the museum, in many styles, painted by diverse artists, with variations of color and technique.
Luther understood that music is an exceptional teaching tool.
When the historical importance of revivalism is understood, one can appreciate that the question, “Could America experience another revival?” is also a question about the fate of Christianity in America.
The Christian must always remember that personal piety and liturgical uniformity are by no means the marks of true religion.
Surely a division now called the "Great Schism" should command our attention, but it is vital that we do not impute similar significance to all modern disagreements in the church.
Erasmus and the Unintended Reformation
This is an excerpt from chapter 2 of The Resurrection Fact: Responding to Modern Critics, edited by John Bombaro and Adam Francisco (1517 Publishing 2016).
This is a companion article to “Johann Spangenberg on Dying Well”