Yahweh tells his people that they “shall have no other gods before me,” he’s speaking into a culture whose very fabric is made up of the worship of other gods.
Auden understands Luther’s doctrine of justification by faith not as a mere theological platitude, a trick of biblical grammar, or a catchphrase for men to rally around.
Our Lord Jesus builds, forms, and fashions his church as an artist forms a mosaic.

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In this context where death looms large, Jesus reveals a kingdom where life looms even larger.
The resurrection of Jesus was the moment when the one true God appointed the Man through whom the whole cosmos would be brought back into its proper order. A man got us into this mess; the Man would get it out again.
The “New David” will manifest the power of the LORD and will not set Himself in opposition as did the false shepherds.
The tragedy of this parable is not the failure to serve. It is the failure to truly know your Savior.
There is life after death and, more gloriously, there is life after life after death, the resurrection of the body.
Obviously, the Day of the LORD looks frightening according to the words of Zephaniah the prophet. The question is: “For whom?”
Because Israel has turned the eschatology of the Day of the LORD into “escapism” Amos turns that notion on its head in his prophecy.
Mindful that the pagans’ understanding of death is a finality, Paul says, “NO!” Death is not the end of humanity in God’s new world.
The parable is harsh. It judges. If you do not believe, you will not be saved. But let us pause for a moment and think about why Jesus is telling the parable.
The parable of the wedding banquet in Matthew hinges on whether a guy is wearing the right costume for the party.
We give thanks to the Lord for His victory over death and the grave both for those who are now with Him in glory and for ourselves even as we press forward in faithfulness awaiting the Day when our eyes will see Him.
This is an adaptation of the introduction from “In Defense of Martin Luther” written by John Warwick Montgomery (1517 Publishing, 2017). Used with permission.