This is an excerpt from the introduction of Stretched: A Study for Lent and the Entire Christian Life by Christopher Richmann (1517 Publishing, 2026).
01/22/26
We can bring our troubles, griefs, sorrows, and sins to Jesus, who meets us smack dab in the middle of our messy mob.
01/21/26
Confession isn’t a detour in the liturgy. It’s the doorway.
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12/10/20
It turns out the family trait of not being able to wait runs deep and wide in the family of God. We do foolish things while we wait for promises to be fulfilled.
12/08/20
It wasn’t a perfect image, but it was still there, even in its cartoonish movie magic distortion. It was an element of the Gospel right there in front of me.
12/06/20
Whatever else may come, however worse it may get, the light has come and will come again.
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11/30/20
We at 1517 are utterly committed to keeping the main thing, the main thing.
11/29/20
Mark makes no effort to impress listeners or win votes. His voice aims only to prepare those who hear it for the coming of the Lord.
11/24/20
Trusting Jesus, worshipping our Christ, and praising him, we have the blessing of God so that we can give thanks with a grateful heart for everything he gives to us today and always.
11/23/20
Where there’s more sin, there’s more grace! Are you comfortable with that? That the greater the sin, the greater the grace? Could it be that easy?
11/22/20
Jesus desires for us to watch. The question, however, is, “How do we watch for the return of Jesus?”
11/20/20
This is an excerpt from Martin Luther’s Commentary on Saint Paul’s Epistle to the Galatians (1535), written by Martin Luther and translated by Haroldo Camacho (1517 Publishing, 2018).
11/16/20
Love continues to gently but endlessly pursue the narrator, despite his persistence in pulling away in the opposite direction.
11/15/20
In this context where death looms large, Jesus reveals a kingdom where life looms even larger.
11/13/20
Although theirs is an impressive show of faith, the display of God’s faithfulness to them is far greater. After all, faith is only as strong as the object in which it is placed.
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