We can bring our troubles, griefs, sorrows, and sins to Jesus, who meets us smack dab in the middle of our messy mob.
Confession isn’t a detour in the liturgy. It’s the doorway.
American religion did not become optional because the gospel failed. It became optional because religion slowly redefined itself around usefulness.

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This week’s miracle invites you to engage in an honest consideration of something pressing for every believer at some time in their lives: God’s silence.
Our Creator wants to restore us to a right relationship with him and all creation. So, in his goodness and mercy, he sent his Son to for us what we couldn't do for ourselves.
There is a power that is stronger and mightier than the power of separation in death. And that power is the power of God’s love for you and me.
If the feeding of the 5000 invited an emphasis on Jesus’ COMPASSION, this week’s miracle invites a sermon focused on Jesus’ AUTHORITY.
There is no justification except by faith alone. The radical forgiveness itself puts the old to death and calls forth the new.
“Rembrandt goes so deep into the mysterious that he says things for which there are no words in any language.”
The Gospels function like literary essays, composed with a specific thesis and purpose in mind. Each account of Jesus’s life acts as a treatise to show us something about the person and work of the Savior.
Jesus’ miracle in this sermon, then, is a type of the compassion He has for your hearers. While they certainly have many physical needs, your hearers also (more fundamentally) need Jesus’ mercy and forgiveness.
These parables invite us to consider the mysterious way of the reign of God. The Kingdom of God comes by grace to those who are seeking and not seeking it.
In the quiet of your own uptown, where your own sins bear down on you and create a troubled conscience before the world, before others, and before God, your Lord reaches across the chasm of brokenness to take your hand.
The good news of Jesus Christ guides us into godly worship, not self-worship.
“Who Am I?” edited by Scott Ashmon (1517 Publishing, 2020) is now available for purchase.