From creative storytelling (see any of Jesus’ parables) to hymn-singing to poetry slams, God’s revelation refuses the confines of any single genre. The world beyond the wardrobe demands some serious attention, and Christians are uniquely qualified to give it just that.
Christ does not replace or erase the history of the Old Testament. He brings it to its fullness. The historical fulfillments demonstrate God's faithfulness in their own time and also bear witness to the greater fulfillment accomplished in Jesus Christ.
Jesus Christ is the Ark of the New Covenant. He is our place of atonement, our mercy seat. He puts a lid on the righteousness that might otherwise condemn us by offering his very self in our stead on the cross.

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Longstanding tradition must be bolstered by something outside of ourselves that also lies outside of the traditions of men.
This is an excerpt from Broken Bonds: A Novel of the Reformation by Amy Mantravadi (1517 Publishing, 2024), pgs. 24-27
Christ is the beating heart of Christian faith and its only object.
No matter how many times we hear this good news, it never stops being good news.
Our faith is precisely where Paul puts it, namely, in the blood of Christ.
Just as trick-or-treaters arrive at doorsteps as beggars, we come to the Lord’s table with nothing to offer but our sin and need for forgiveness.
Luther understood that music is an exceptional teaching tool.
The Christian must always remember that personal piety and liturgical uniformity are by no means the marks of true religion.
Erasmus and the Unintended Reformation
This is a companion article to “Johann Spangenberg on Dying Well”
Strasbourg’s hymnals are especially relevant to American Lutherans because much of what we experience in our churches comes to us from Strasbourg.
It is difficult to overestimate the importance of these early Lutheran hymns – and their physical availability in hymnals – in the piety of common people living in Lutheran towns and territories.