While God can, and often does, appear to people face to face, he also often employs the use of several types of messengers.
The “further up and further in” we go, the table keeps getting bigger, the guest list keeps getting longer, and the grace keeps on flowing.
Christianity does not locate freedom in radical autonomy. It does not tell either men or women that happiness consists in escaping obligations arising from relationships we did not entirely choose.

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His provision always flows downward, furnishing and filling us with his grace and truth right where we are.
This is the first in a series meant to let the Christian tradition speak for itself, the way it has carried Christians through long winters, confusion, and joy for centuries.
The crisis is not merely that people are leaving. The crisis is that we have relinquished what is uniquely Lutheran and deeply needed.
The ethos of the church’s worship is found in poor, needy, and desperate sinners finding solace and relief in the God of their salvation.
Wake Up Dead Man is not ultimately a story about mystery, exposure, or even justice. It is a story about what happens when mercy speaks to death—and death listens.
Christmas is not only about a cradle in Bethlehem, it’s also about a cross outside Jerusalem where salvation was won for us.
Christmas is not for remembering, thinking, pondering, trying to make sure you are really celebrating it properly, or for wondering whether you truly have faith.
To know the cure is not to become immune to sorrow.
It is death that deserves derision, not the disciple who reaches through sorrow for his Lord.
The unity of God’s people is grounded not in lineage nor land but in the promise of the coming Christ.
Thanksgiving, then, is not just about plenty. It is about redemption.
“The well that washes what it shows” captures the essence of Linebaugh’s project, which aims to give the paradigmatic law-gospel hermeneutic a colloquial and visual language.