Jesus offers something infinitely better. He tells us to put down our gavel—not because sin isn't real, but because the only Judge who has the right to condemn is the very One who was condemned for us.
From creative storytelling (see any of Jesus’ parables) to hymn-singing to poetry slams, God’s revelation refuses the confines of any single genre. The world beyond the wardrobe demands some serious attention, and Christians are uniquely qualified to give it just that.
Christ does not replace or erase the history of the Old Testament. He brings it to its fullness. The historical fulfillments demonstrate God's faithfulness in their own time and also bear witness to the greater fulfillment accomplished in Jesus Christ.

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It's a new year, and you are still the same you: a sinner who is simultaneously perfect in every way because Christ declares it to be so.
While Christmas may or may not have pagan roots, it will certainly have a pagan future if Christians lose sight of what it is all about.
Show me a sinner, and I’ll write you a story of a God who saves them.
Our faith is precisely where Paul puts it, namely, in the blood of Christ.
More certain than death or taxes and more certain than “anything else in all creation” is the fact that God loves you.
Jacob is given the gospel afresh right when he needed it and it is because of this gospel that his faith is stirred up anew.
To obtain this righteousness, you have to admit you don’t have it and could never produce it on your own because you are unrighteous.
When joined with a good Reformation theology of vocation and the freedom of a Christian, Fujimura’s vision for culture care is something all Christians can embrace, regardless of whether they are artists in the formal sense.
The good news for Jacob is that God humbled himself so that he could lose a wrestling match to a man with a dislocated hip so that he could give him a new name.
This is an excerpt from Romans 14 in Romans: A Devotional Commentary by Bo Giertz, translated by Bror Erickson. (1517 Publishing 2018), pgs 79-80.
This is a companion article to “Johann Spangenberg on Dying Well”
Moltmann is gone now, but his theology will continue to provoke and provide.