When we consider our own end, it will not bring us into a final wrestling match with the messenger of God, but into the embrace of the Messiah of God.
What do such callings look like? They are ordinary and everyday.
This is the third in a series meant to let the Christian tradition speak for itself, the way it has carried Christians through long winters, confusion, and joy for centuries.

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Wisdom lurks in the outer places. Rich gratitude sprouts from the impoverished and forgotten.
It is impossible to live our lives in a way that would convince God of our value because he already knows our value. He is the one who gave it to us.
The love of God is creative, always giving, always reviving.
The Lord’s provision doesn’t rest on the strength of our gratitude.
A Bit of Earth is about the garden, but it’s also about us—as we are made from dirt.
This is the basic argument of To Gaze upon God: that we who now see as if behind a veil will one day enjoy the unveiled splendor of God himself, who will dwell with us forever.
More certain than death or taxes and more certain than “anything else in all creation” is the fact that God loves you.
If we picture the New Testament as a divinely painted masterpiece that hangs in the middle of a museum, then all around it are other works of the period, in different corridors of the museum, in many styles, painted by diverse artists, with variations of color and technique.
God’s creatures on four legs are some of the greatest storytellers of the Scriptures.
Jacob is given the gospel afresh right when he needed it and it is because of this gospel that his faith is stirred up anew.
When joined with a good Reformation theology of vocation and the freedom of a Christian, Fujimura’s vision for culture care is something all Christians can embrace, regardless of whether they are artists in the formal sense.
It is the story of a God who is not distant, not indifferent, not doing anything in half-measures, but who is here, now.