The Promised Land invites us to laugh at how relatable it is to be exhausted and exasperated by all the people, and the egos and opinions they bring with them, that come with living.
Christians can pursue projects of justice free of the burden of being the justifier of the world; that office belongs to Christ and Christ alone.
When Dostoevsky died on February 9, 1881, he left behind novels that refuse to flatter the reader or simplify the human condition.

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It’s easy to understand the allure of the shroud. In a skeptical age, a physical relic that appears to bear the imprint of the risen Christ seems like proof positive of the faith.
News of Kilmer's death hit me like a freight train because his Doc Holliday stirred something in me about friendship—both the earthly kind and the divine.
Apart from the confession that Jesus of Nazareth is the Christ of God who suffered and died for the forgiveness of sins and rose again to justify the ungodly, there is no Christian faith.
We are called to believe in the church even when we don’t believe in the church.
Despite the mathematical incongruity, the church confesses that Christ is one hundred percent human and one hundred percent divine.
Jesus refreshes you with the promises of the gospel, wrapped in the words of Scripture, drawn in the pictures of the sacraments.
Polycarp’s faith, life, writings, and even his death revealed the fruit of faith and love grafted into his heart by Christ the Vine.
Jesus is very difficult to bring down. That’s the power of it.
The liturgy ensures that the gospel is never something inward, merely a thought or sentiment of the believer.
The story being told in the film is not Bonhoeffer’s story. It’s not the Confession Church’s story. Nor is it the story of the German resistance against Hitler. It is a completely fictional story of Hollywood.
What do we do with Katie Luther? What kind of historical character can we paint her to be?
"When God has his say, have confidence that his Word and sacraments bestow precisely what he says."