American religion did not become optional because the gospel failed. It became optional because religion slowly redefined itself around usefulness.
The Passover wasn’t just Israel’s story; it’s ours.
God makes us pure saints by planting us back in the earth we imagined we needed to escape.

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Out of great pain and suffering often comes goodness, beauty, and truth. John Donne, born on the 22nd of January in 1573, is an excellent example of that for us in his masterful work, Death Be Not Proud.
The accent of Scripture emphasized that Christ is for you. Yes, you. He’s not for the perfect people of our imaginations. He’s not just for Abraham, Moses, David, Peter, or Paul. Christ is also for you.
Has the modern world taken too strong a dose of the gospel as its inheritance from the Reformation?
This tale of two professors has a common theme, plot, and denouement - the good news of the one true story, Jesus Christ crucified for you.
Jesus knows you and everybody else come from a long line of life wasters going all the way back to Adam. Jesus died for life wasters! Let go of your bootstraps. Stand back up. Your Father loves you.
Paul knew, and so do we: the law doesn’t change hearts or heal the world. More demands won’t do the trick.
God makes all things new. He refashions us from those turned in upon ourselves, turned to idols of our own choice and making, to experience the freedom He gives by pronouncing us His righteous children.
What does being free from sin, which is obviously a good thing, have to do with being free from the Law, which sounds dangerous?
What more could God do to prove to us that he is for us and not against us than to give his own Son into this fallen world to take the cross in our place, exchanging his righteousness for our many sins.
The church does well to remind the world that God is unmasked, indeed, that God has unmasked himself in the person of Jesus.
Perhaps this past year has prompted the recognition that God is not the tame projection of our highest hopes and dreams. Instead, he is the one who uses even his foes to make a point.
The setting for Luke 2 is the first century analog to my backyard. The stage is dressed with rust and decay, guilt and shame, sin and death.