Luther felt the reform of the church could not simply remain a matter of aesthetics and practice. Something much deeper needed to be rooted out.
While God can, and often does, appear to people face to face, he also often employs the use of several types of messengers.
The “further up and further in” we go, the table keeps getting bigger, the guest list keeps getting longer, and the grace keeps on flowing.

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How do I know the expectations of every Marine even though I am not able to cite specific orders from Marine Corps handbooks? The Rifleman’s Creed tells me.
It is in the midst of a world marked by empty and deceptive hopes that have broken hearts and lives that we are sent to deliver the promise of a future that has as its last chapter the resurrection of the body to eternal life with the Lamb who was slain but is alive forevermore.
Jesus offer us this vision of violence not so we might be drawn into it but so we might be drawn through it to come closer to Him.
Where Erasmus saw fear and collapse, Luther saw the never-ending comfort of Christ and his gospel.
As I sat there in the dark, empty church with my hands buried in the guts of a copy machine I was powerless to fix, I couldn't help feeling sorry for myself.
When we hear freedom, we have to ask about its opposite, bondage.
The devil knows our name and labels us by our sin. The devil breathes out death as he names us for what we are, sinners.
We have the freedom to joyfully participate in neighborhood fun with the love of our neighbor in mind.
Like the younger son, we can return to our Father every time our sinful hearts rebel against him. Like the older brother, we can complain and lament to our Father without fear of being destroyed.
When it comes to confessing the truth of the Christian faith, Christians are given the words. We don’t have to formulate them ourselves.
Our very lives as parents and children implicitly proclaim this higher and lovely truth: we have no value to God based upon our usefulness.
The following is an excerpt from“Credo: I Believe,” edited by Caleb Keith and Kelsi Klembara (1517 Publishing, 2019).