Paradoxes hold everything together, not just in Inception’s plot, but in your life and mine.
We don’t flinch at sin. We speak Christ into it.
One might say that the first statement of the Reformation was that a saint never stops repenting.

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The little psychologist within us is often hard at work to pinpoint the origin of life’s problems.
In Martin Luther's Small Catechism he borrows a line from St. Augustine about what defines a "god."
From the untouchable living on the streets of India to the millionaire in Manhattan; from the farmer in Germany to the escort in Vegas; from the missionary in Argentina to the bartender in Ireland—they are all in the love zone of the Lord. Every. Single. One.
Whenever preachers get up to speak about the topic of love, they very often go to passages like 1 Corinthians 13, and they are very apt to do so — for there, under the Spirit’s design and influence, the apostle Paul gives, perhaps, the most complete view of love we’ve ever been given.
The disciples and Christ have just finished their last meal together. The disciples, of course, didn't know this, but Jesus did.
There is something about high art forms that touches the soul.
Jesus is the great Houdini of the grave for us. And through His death, He gives us the Great Escape from death that leads to the great joy of the Resurrection.
The victory of Christ is hidden in the crosses we bear as Christians following Him to our own personal Golgothas.
In God’s eyes, we cannot be too fat or ugly, mean or selfish, shamed or abused, corrupted or inadequate for him not to love us.
We are no longer controlled by sin as He moves our lips to speak love and forgiveness. We are passive as He acts out His words and His salvation for us.
I cannot recall how many times I sang along to this theme song, punching and kicking as a kid in the 80s. But much of my desire to join the Marine Corps had its genesis in the 80s cartoon “G.I. Joe: A Real American Hero.”
Christ exchanged His excellent love, His wonderful heart, for my shameful adultery with you.