From creative storytelling (see any of Jesus’ parables) to hymn-singing to poetry slams, God’s revelation refuses the confines of any single genre. The world beyond the wardrobe demands some serious attention, and Christians are uniquely qualified to give it just that.
Christ does not replace or erase the history of the Old Testament. He brings it to its fullness. The historical fulfillments demonstrate God's faithfulness in their own time and also bear witness to the greater fulfillment accomplished in Jesus Christ.
Jesus Christ is the Ark of the New Covenant. He is our place of atonement, our mercy seat. He puts a lid on the righteousness that might otherwise condemn us by offering his very self in our stead on the cross.

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The Church's hymns help us see our own world from another—and perhaps not so different—vantage point that illuminates the impact of the work of Christ and the general providing and protecting activity of our Creator in our lives.
The scope of catechesis from the Reformation was broad and included not only instruction at church but in the home and in schools.
This is an excerpt from “Crucifying Religion” written by Donavon Riley (1517 Publishing, 2019).
The gospel fires up within us the gratitude, joy, and love to pull off what the law never could get us to do.
This is an excerpt from “God’s Devil” written by John Warwick Montgomery (1517 Publishing, 2020).
In both Psalms, we hear the Messiah becoming sin for us, and thus he pleads on our behalf before the Father
This is an excerpt from “With My Own Eyes” written by Bo Giertz and translated by Bror Erickson (1517 Publishing, 2017).
This is an excerpt from the book, “Paul and the Resurrection” written by Joshua Pagán (1517 Publishing, 2020).
Physicality is good. Some way or another, choose a full performance of Messiah and give it your full attention. More than one time. Consider it a devotional practice.
This is an excerpt adapted from “Let the Bird Fly” written by Wade Johnston (1517 Publishing, 2019).
Saying the words of the prayer together meant that if my voice became too weak or shaky, other voices would be around to support and continue the message.
Dürer's first significant work to be published was a woodcut which served as the title page for a volume of St. Jerome’s Letters in August of 1492.