Auden understands Luther’s doctrine of justification by faith not as a mere theological platitude, a trick of biblical grammar, or a catchphrase for men to rally around.
Our Lord Jesus builds, forms, and fashions his church as an artist forms a mosaic.
Luther felt the reform of the church could not simply remain a matter of aesthetics and practice. Something much deeper needed to be rooted out.

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Can the chain of cause and effect extend infinitely?
Professional historians frequently assert that "miracles" are not a proper subject for historical investigation.
The essential Christian claim is that God came to earth in Christ and died for men to take care of their problem of sin and evil.
It is often the case that when dealing Divine, we find ourselves befuddled. For as relatable and surprisingly vulnerable God is as the man Jesus, he seems, at times, to retain a certain aloofness, a type of distance.
Before long I was deeply involved in the trilogy (the reader is invariably "drawn into" the story in a unique way, and for a good reason as we shall see).
We all began by hearing the truth, and then speaking the truth and believing the truth. That truth came to us on the lips of another.
He has wandered away into the darkness of his doubting, got lost in his grief, confused by the pains he’s suffered. It happens. Shepherds sometimes become lost sheep as well.
Hus was burned at the stake in his early 40s, Luther lived to a fairly ripe, old age, but why?
But on the mountain in Galilee, where we encounter a very different side of God, doubts overtake us. Why?
Before you ever know what happened, Satan has taught us to doubt the promise of the crucified and risen Christ.
That is the way of our Lord, the way of grace. He doesn’t abandon Thomas to drown in a sea of doubt.
God isn’t interested in your sins. He isn’t interested in keeping score, making sure that you keep at least one more good work than bad in your ledger.