In the end, your story isn’t an epic of personal glory. You aren’t the hero. Your Savior Jesus is.
Whether a Christian enjoys high church, low church, or something in between, aesthetics in the Church are not about any one individual person and their particular tastes. Aesthetics are, fundamentally, not a matter of legalism, but of edification—that the Gospel of Christ might be preached and taught to all peoples, unhindered by its medium.
Let us live by walking with Jesus, so that our Neo-Pagan neighbors, the witch, and frankly a lot of us Christians, can put down our crystals, our superstitions, our vision boards, and our bound sage in order to live out a liturgy of life, with rituals, practices, and behaviors that reflect who we are as followers of Christ.

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While we often talk about our growth, our progress, and what we are doing for the kingdom of God, the reality is that any goodness in a Christian does not originate in us.
Christian faith is never a solitary possession. When the congregation confesses, the old speak for the young, the strong for the weak, and the clear-voiced for the trembling.
When we despair of ourselves, we repent of these self-justifying schemes and allow ourselves to be shaped by God, covered in Christ’s righteousness, and reborn with a new heart.
This is the first in a series of articles entitled “Getting Over Yourself for Lent.” We’ll have a new article every week of this Lenten Season.
Christians can pursue projects of justice free of the burden of being the justifier of the world; that office belongs to Christ and Christ alone.
The Bible isn’t a set of moral examples or religious insights. It’s the record of God’s saving work, fulfilled in Christ, delivered now through words spoken and heard.
American religion did not become optional because the gospel failed. It became optional because religion slowly redefined itself around usefulness.
Bringing your family to church to receive “the one thing needful” (Luke 10:42) in Word and Sacrament honors and pleases God.
There’s a difference between refusing revenge and refusing responsibility.
The crisis is not merely that people are leaving. The crisis is that we have relinquished what is uniquely Lutheran and deeply needed.
The ethos of the church’s worship is found in poor, needy, and desperate sinners finding solace and relief in the God of their salvation.
Wake Up Dead Man is not ultimately a story about mystery, exposure, or even justice. It is a story about what happens when mercy speaks to death—and death listens.