He doesn’t consume us, even though that is what we deserve. Instead, Jesus comes down to us and consumes all our sin by taking it on himself.
This article is the first part of a two-part series. The second part will take a look at when pastors abuse their congregations.
The following entries are excerpts from Chad Bird’s new book, Untamed Prayers: 365 Daily Devotions on Christ in the Book of the Psalms (1517 Publishing, 2025), pgs. 311 and 335

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Looking back on the year, the narrative we’re fed is that we should be able to show how much we’ve grown, how much we’ve done, all the successes we’ve had, how improved we are.
The real power of his hymn comes from the fact that Bonhoeffer does not offer a rosy picture of life or any of the tropes so typical of cheap piety that tell us that everything is always right, that things happen for a reason, and that we should try to stay positive.
It is that Christmas carol, the curious “We Three Kings” that we are looking at today in our examination of the origin and meaning of Christmas carols.
The promise of Advent is the promise of the lamb slain, who is born and given for us so that we don’t have to fear sin, death, and hell.
Should we really be surprised that it would happen this way, that the servant would suffer for our salvation and die for our forgiveness?
One gloomy, silent night, God stepped into our darkness. The Word had not only spoken but was now made flesh.
If Christmas is about Jesus, and it definitely is, then the real question should be: What’s Jesus all about?
While we do not have an answer, we do have a promise. A promise given to us by a God whose one and only Son was himself slaughtered by those terrified of losing their power.
The following is an excerpt from “A Year of Grace: Collected Sermons of Advent through Pentecost” written by Bo Giertz and translated by Bror Erickson (1517 Publishing, 2019).
All creation joins together to repeat the sounding joy.
Abraham knew that this was a God who kept his promises.
Despite its familiarity and frequent usage, the imagery in "O Come, O Come, Emmanuel," is often underappreciated.