Auden understands Luther’s doctrine of justification by faith not as a mere theological platitude, a trick of biblical grammar, or a catchphrase for men to rally around.
Our Lord Jesus builds, forms, and fashions his church as an artist forms a mosaic.
Luther felt the reform of the church could not simply remain a matter of aesthetics and practice. Something much deeper needed to be rooted out.

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At its heart, this is what Deacon King Kong is all about: the paradox of Jesus carving his victory out of the last thing we expect, not our triumphs but our defeats.
Our only claim to fame is that we have been claimed by a God who is consistently drawn to losers!
Viewing the Word as a unified theological narrative prevents us from treating the Scriptures like a cage match between competing theological systems, with prophets duking it out with apostles, and psalmists with evangelists, all supposedly fighting for their voice to be heard.
The church’s song goes on and on, singing and ringing down to us today.
Christ has received the mark of law that we might be marked with the gospel, with the sign of his holy cross on our heads and hearts as redeemed children of God.
This Christmas season we are thankful that even though we “fallers” are unable to climb up to God, he came down the ladder to us.
Love turns out to be not simply a thing or action, but a characteristic of God himself.
Moses was sent to keep the house in order, but this Child is sent to bring the house home, and you are part of that house, the household of God.
The thought of losing even one of those for whom his Son died pains God beyond belief, and the angels rejoice when even one of his children repents.
Jesus is both the image bearer and the image giver. In Jesus’ incarnation we are redeemed and re-imaged.
Getting ready for Christ’s coming is a practice in humility.
“The days are coming,” and God said it. God, who kept his promise that Christ would come at Christmas.