Whether a Christian enjoys high church, low church, or something in between, aesthetics in the Church are not about any one individual person and their particular tastes. Aesthetics are, fundamentally, not a matter of legalism, but of edification—that the Gospel of Christ might be preached and taught to all peoples, unhindered by its medium.
Let us live by walking with Jesus, so that our Neo-Pagan neighbors, the witch, and frankly a lot of us Christians, can put down our crystals, our superstitions, our vision boards, and our bound sage in order to live out a liturgy of life, with rituals, practices, and behaviors that reflect who we are as followers of Christ.
As Jesus hung on the cross there would be no last second escape. No Greek goddess would swoop in to rescue him. He suffered alone. And yet even in that suffering he declared his victory on the spiritual battlefield to be your victory.

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Although the outcome has been decided by Jesus victory, the devil won’t give up without a fight.
A rightly-oriented heart and a rightly-oriented love will consistently do what is best for God and best for our neighbor, which is why St. Augustine speaks of sin as a disordered love.
Surveying Scripture, it is an immense comfort to know we’re not alone in our sinfulness.
We can’t remove our crosses or the reality of our deaths. Only Jesus can.
People everywhere, every day, feel God’s wrath—and not as merely an afterlife threat but as a present reality.
Faith, for Peter, is not suspended in religious abstraction. It is tied to something that happened in time and space.
Christians can pursue projects of justice free of the burden of being the justifier of the world; that office belongs to Christ and Christ alone.
The Bible isn’t a set of moral examples or religious insights. It’s the record of God’s saving work, fulfilled in Christ, delivered now through words spoken and heard.
Bringing your family to church to receive “the one thing needful” (Luke 10:42) in Word and Sacrament honors and pleases God.
What God perceives is not what our eyes see; he is focused on righteousness because his love creates what is righteous.
“The well that washes what it shows” captures the essence of Linebaugh’s project, which aims to give the paradigmatic law-gospel hermeneutic a colloquial and visual language.
Why would David write this psalm for all to read when he was no longer God’s greatest king, but rather God’s greatest sinner?