God makes us pure saints by planting us back in the earth we imagined we needed to escape.
Salvation is not merely to be put in “safety” but to be put into Christ.
Bringing your family to church to receive “the one thing needful” (Luke 10:42) in Word and Sacrament honors and pleases God.

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John T. Pless has prepared a midweek Lenten sermon series that will fix our eyes on the saving work of the triune God. Based on Martin Luther’s hymn “Dear Christians One and All Rejoice,” this series will provide preachers an opportunity to proclaim the saving work of God to their hearers throughout the season of Lent.
And because Jesus on the cross was sin in its entirety, God cannot look at him. He turns his face away, causing Jesus to cry out in utmost agony, “My God, My God, why have you forsaken me?”
From the womb to the tomb, from the cradle to the grave, Jesus’ name defines and describes who he is and what he is all about.
As a parent listens for the cry of a hurting child, our heavenly Father waits for our cry of weal and woe.
Out of great pain and suffering often comes goodness, beauty, and truth. John Donne, born on the 22nd of January in 1573, is an excellent example of that for us in his masterful work, Death Be Not Proud.
Sometimes we make the mistake of thinking God's love is like the love we experience in human relationships. But human love is a derivative of God's love. It is lesser.
For God to shine his face upon us is the same as saying, “Christ Jesus is with us.”
When God cancels you, it is an occasion for all of the canceled who are in heaven and earth to rejoice in that one more is added to our number.
This tale of two professors has a common theme, plot, and denouement - the good news of the one true story, Jesus Christ crucified for you.
The church does well to remind the world that God is unmasked, indeed, that God has unmasked himself in the person of Jesus.
Jesus is our sympathizer, our propitiation, and our advocate. We will be tempted but God will provide the way out, the way out is Jesus, the one who died for our sins.
The setting for Luke 2 is the first century analog to my backyard. The stage is dressed with rust and decay, guilt and shame, sin and death.