Auden understands Luther’s doctrine of justification by faith not as a mere theological platitude, a trick of biblical grammar, or a catchphrase for men to rally around.
Our Lord Jesus builds, forms, and fashions his church as an artist forms a mosaic.
Luther felt the reform of the church could not simply remain a matter of aesthetics and practice. Something much deeper needed to be rooted out.

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The Lord’s Gospel will attract all the nations to His holy mountain, and people from the ends of the earth will sojourn to the city to bear witness to God’s great work of salvation.
The question remains, how do we get connected to this Isaianic Servant? How do we get into a relationship with Him so our perspectives and lives might be changed? We want to see God rightly, so where do we look?
The whole Old Testament leans with this unanswered and open-ended question at the end: Is he here yet?
God the Father sent us – his wayward, sinful, and naughty children – his own series of Father Christmas Letters.
Psalm 8 is a trailer for the entire biblical movie, and the entire biblical movie centers on Christ.
Christmas is a season of irony and song that helps us to know the sacred past and the truth of the Gospel of our salvation.
Hains offers a novel yet simple contention: Luther is most catholic where he is boldest.
The lesson of Malachi reveals God’s love for his people. When the people ask for proof of God’s love, he reminds them of their election.
A sign was given to Ahaz to point him toward the greater sign given in a manger and that Bethlehem’s Messiah is the sign we look forward to seeing in the sky when Jesus, our Emmanuel, comes again.
We will not become hopeless because the Lord is with us.
Christ the King’s return will show us what we can only imagine. He will be a king and His a kingdom will be unlike any we have known.
The Church stands firm on the word of promise that Christ will one day return to change what we know by faith into sight.