The world takes notice when Christians forgive because such forgiveness seems impossible.
Even if the Shroud were proven a medieval forgery, it would only highlight the skill of its maker. The case for Christ’s resurrection rests on eyewitness testimony.
God leads us to green pastures. He comforts us with his grace in our darkest valleys.

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Jesus stands before the disciples as the bridge between heaven and earth, and between Old Testament and New Testament.
His love for you is so deep that in his mercy, while you were yet a sinner, God sent his only begotten Son to die for you.
“So loved,” then isn’t about how much but instead simply how.
Love is pointing to Jesus who said, “Greater love has no one than this, that someone lay down his life for his friends” (John 15:13).
Forty days after giving birth, Mary, along with her husband Joseph, presented their firstborn Son at the temple and "bought" him back with a sacrifice of two small birds. This is known as the "Presentation of Our Lord."
Rightly distinguishing between law and gospel, as Paul helps us see in 2 Corinthians 3, is, quite literally, a matter of life and death.
Authentic proclamation, then, is the love of Christ for our souls, which we have seen and experienced through the under-shepherd’s pastoral care put into the words of Christ Himself.
The sign of the cross, according to the earliest centuries of Christians, is “the sign of the Lord,” and every baptized Christian was “marked” with it.
The law had to have its way with the expert to bring him around (and back) to Abraham's response.
The sermon takes place in the context of a multi-facetted set of relationships experienced through the weeks and months of being together in congregation and community. Those relationships shape the credibility of the preacher in the pulpit. 
The usual acclamation when one becomes King is: “Long live the King!” But this King of kings, this son of David, has come to die.
As the writer to the Hebrews affirms, what makes the Christian gospel so much better is that we are no longer dealing with “types and shadows."