In the end, your story isn’t an epic of personal glory. You aren’t the hero. Your Savior Jesus is.
Whether a Christian enjoys high church, low church, or something in between, aesthetics in the Church are not about any one individual person and their particular tastes. Aesthetics are, fundamentally, not a matter of legalism, but of edification—that the Gospel of Christ might be preached and taught to all peoples, unhindered by its medium.
Let us live by walking with Jesus, so that our Neo-Pagan neighbors, the witch, and frankly a lot of us Christians, can put down our crystals, our superstitions, our vision boards, and our bound sage in order to live out a liturgy of life, with rituals, practices, and behaviors that reflect who we are as followers of Christ.

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Preaching is simply the verbal bestowal of what Scripture has already given us in written form
My past, littered about this tiny island, resurrects itself when I draw near, but it never does so alone. It is always accompanied by the Savior.
Stories like Onoda’s offer an interesting parallel to our life in the Gospel.
We are so free as Christians that we don't even have to compare ourselves to other Christians.
Martin Luther is not–or, at least should not–be the object of our affection.
It is a strange irony, but in a world drunk on violence, it is only on the cross of violence that there is hope for peace in our world.
Here, we read the mystery and majesty of the incarnation of the Son of God wrapped up into a single package
These new texts and manuscripts, while not altering the message of the text, can give us better insight into particular historical and grammatical issues.
Pain is our birthright, but Jesus’ resurrection is our irrevocable end.
Indeed, baptism is life because resurrection is life. Nothing short of regeneration—renewal of life—is accomplished by God through sheer grace because of Christ Jesus.
Jesus names what life does not consist of, and in doing so he gets to something near and dear to our hearts as Americans—our possessions.
These treasures show us that, no matter how well we think we know this poem, there’s always more layers to uncover.