From creative storytelling (see any of Jesus’ parables) to hymn-singing to poetry slams, God’s revelation refuses the confines of any single genre. The world beyond the wardrobe demands some serious attention, and Christians are uniquely qualified to give it just that.
Christ does not replace or erase the history of the Old Testament. He brings it to its fullness. The historical fulfillments demonstrate God's faithfulness in their own time and also bear witness to the greater fulfillment accomplished in Jesus Christ.
Jesus Christ is the Ark of the New Covenant. He is our place of atonement, our mercy seat. He puts a lid on the righteousness that might otherwise condemn us by offering his very self in our stead on the cross.

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This is the basic argument of To Gaze upon God: that we who now see as if behind a veil will one day enjoy the unveiled splendor of God himself, who will dwell with us forever.
Christ is always the ultimate for God's children, but we sometimes struggle with things that come before.
To preach Christ and him crucified is to keep the message simple and accessible.
The sinful nature loves self, and pride is its native tongue.
This is an excerpt from Chapter 6 of Clothed with Christ written by Brian W. Thomas (1517 Publishing, 2024). Now available!
This article is part of Stephen Paulson’s series on the Psalms.
In the Bible, we meet the God who also does not prance around naked as a jaybird.
God’s headline for his church prioritizes the person of Jesus and his purpose to demonstrate God’s power by dying and rising again for our salvation.
Symbols throw together a physical artifact we can see, hear, touch, taste, and/or smell, with a truth beyond the tangible.
God’s words do things. When God blesses you, you are blessed.
This week, when you go to church, take a moment to reflect that you are being summoned by a loving Father, hands full of gifts he wants to give.
This is an edited excerpt from Addendum A, “The Church Year,” On Any Given Sunday: The Story of Christ in the Divine Service, written by Michael Berg (1517 Publishing, 2023), pgs. 113-120.