In the end, your story isn’t an epic of personal glory. You aren’t the hero. Your Savior Jesus is.
Whether a Christian enjoys high church, low church, or something in between, aesthetics in the Church are not about any one individual person and their particular tastes. Aesthetics are, fundamentally, not a matter of legalism, but of edification—that the Gospel of Christ might be preached and taught to all peoples, unhindered by its medium.
Let us live by walking with Jesus, so that our Neo-Pagan neighbors, the witch, and frankly a lot of us Christians, can put down our crystals, our superstitions, our vision boards, and our bound sage in order to live out a liturgy of life, with rituals, practices, and behaviors that reflect who we are as followers of Christ.

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Rather than calling me to pick burrs off my coat, God’s love strips me of my delusions and cuts to the heart of my disease.
But there is something far more serious and important: being reconciled to our Father in Heaven.
We don’t love little because we have little that requires forgiveness.
What do you think of when you hear the term “self-esteem”?
Nobody is going to crash Jesus’ wedding feast. Jesus is throwing the only party in town worth attending, and it’s going to be a celebration.
The biblical response to suffering, to recognizing that things are not as they ought to be, is lament.
The following is an excerpt from the introduction to Theology of the Cross: Reflections on Luther’s Heidelberg Disputation written by Steve Paulson and edited by Kelsi Klembara and Caleb Keith (1517 Publishing, 2018).
God has forgiven you. That is an objective fact. You can reject it, but it is nevertheless true.
Finally, we draw near the end of this three-part article on Revelation 1:10-20.
Jesus’ forgiveness will not collapse. Jesus’ forgiveness will take us places our legs can’t take us.
The thing seems incredible, and I would not have believed it myself, nor have understood Paul’s words here, had I not witnessed it with my own eyes and experienced it.
What postmoderns see in modernism is a misuse of power through the control of dominant narratives.