Jesus Christ is the Ark of the New Covenant. He is our place of atonement, our mercy seat. He puts a lid on the righteousness that might otherwise condemn us by offering his very self in our stead on the cross.
Because the biblical story unfolds in real places among real people, archaeology helps us understand the world in which God's saving work took place and, in turn, enriches our reading of Scripture.
The Reformers did not return to the sources because they believed the old was better than the new, nor because antiquity possesses authority simply by virtue of its age. They returned to the sources to recover the language and words that were actually written and spoken, especially those by great teachers and, most importantly, God Himself.

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The women at the tomb were surprised by Easter. Amazed and filled with wonder at Jesus' Easter eucatastrophe. And so are we.
It's one thing to hope for a new reality; it's quite another to stand before it, no matter how wonderful.
While I disagree with many things Francis did and believed, I think he deserves credit for this: Francis showed us what Christian leadership can look like.
This is the final installment in our series, From Eden to Easter: Life and Death in the Garden. Each day throughout Holy Week, we will take a special look at the gardens and wildernesses of Scripture, and in particular, these scenes' connections to Christ's redemption won for us on the cross.
This is the fourth installment in our series, From Eden to Easter: Life and Death in the Garden. Each day throughout Holy Week, we will take a special look at the gardens and wildernesses of Scripture, and in particular, these scenes' connections to Christ's redemption won for us on the cross.
Sometimes the old story is the one we need to hear again and again.
In grace, God chooses to love his people.
This is an excerpt from Ditching the Checklist: Assurance of Salvation for Evangelicals (and Other Sinners) by Mark Mattes (1517 Publishing, 2025), pgs. 5-7.
In the liturgy, Christ is present, self-giving, and ever-addressing his people.
The story being told in the film is not Bonhoeffer’s story. It’s not the Confession Church’s story. Nor is it the story of the German resistance against Hitler. It is a completely fictional story of Hollywood.
There is no one — not now, not ever — who cannot be included in the family of God through the efficacy of Christ’s saving power.
Jesus, the true Bridegroom, erases that mistake by his own compassionate, saving act. Isn’t this also a picture of the gospel?