The world takes notice when Christians forgive because such forgiveness seems impossible.
Even if the Shroud were proven a medieval forgery, it would only highlight the skill of its maker. The case for Christ’s resurrection rests on eyewitness testimony.
God leads us to green pastures. He comforts us with his grace in our darkest valleys.

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His love for you is so deep that in his mercy, while you were yet a sinner, God sent his only begotten Son to die for you.
“So loved,” then isn’t about how much but instead simply how.
Love is pointing to Jesus who said, “Greater love has no one than this, that someone lay down his life for his friends” (John 15:13).
I think the problem with the idea of eternity is that we do not have any direct experience of it, but we encounter enough of its possibility to be unsettling.
The gospel's message is the scandalous announcement that Yahweh has stooped to our frame, to where we are.
As the writer to the Hebrews affirms, what makes the Christian gospel so much better is that we are no longer dealing with “types and shadows."
God resolves his wrath through the unexpected giving of his Son.
Toy Story is indeed a Christmas story.
That great truth of creedal Christianity – that God is man in Christ – is not set forth for our speculative enjoyment.
When we pray to Jesus, we pray to the King's right hand. We know one who has the Father's ear, respect and trust. And the one who intercedes for us is still one of us, with nail-pierced hands.
Psalm 98, with its promise of a sea and mountains singing, takes these imposing natural features and turns them into a praise choir.
Despite our best efforts to avoid him, King Jesus remains very much unavoidable.