Christianity need not retreat from investigation. Its central claim is that the Word became flesh, entered history, was crucified, and on the third day rose from the dead. That is not an embarrassment to be overcome. It is the claim we have been given to declare and defend.
In the end, your story isn’t an epic of personal glory. You aren’t the hero. Your Savior Jesus is.
Whether a Christian enjoys high church, low church, or something in between, aesthetics in the Church are not about any one individual person and their particular tastes. Aesthetics are, fundamentally, not a matter of legalism, but of edification—that the Gospel of Christ might be preached and taught to all peoples, unhindered by its medium.

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The thief is the prophetic picture of all of us, staring hopelessly hopeful at the Son of God, begging to hear the same words.
The danger is not destruction. It is reduction.
MacArthur’s courage to speak Scripture’s truth, no matter the audience, should be commended.
“The Church exists to tell anyone and everyone who knocks on her door wondering what’s inside: Come and see” (pg. 58). Such reminders make The Church a worthwhile read.
The IRS says churches can endorse candidates from the pulpit. But just because they can doesn’t mean they should.
Chapter 3 of Habakkuk, which is often referred to as “the Psalm of Habakkuk,” is a song of catharsis, relief, faith, and profound emotion.
We don’t flinch at sin. We speak Christ into it.
How do the words “The righteous shall live by his faith” go from a context of hope in hopelessness to the cornerstone declaration of the chief doctrine of the Christian faith?
The Church speaks not with the cleverness of men, but with the breath of God.
This is the second installment in the 1517 articles series, “What Makes a Saint?”
Despite how deep Habakkuk sank into doubt and despair, his faith was not entirely lost. He was merely taking his doubts where they belonged: to the Lord.
Decisionalism expects you to raise yourself through a choice, but Scripture says only Christ raises the dead.