Jesus is not a god that we can manipulate and mold. Christ is the true God, the one who is.
The most sober lesson we can learn from life’s caves is that all we have is a Person, one who never withers or distances himself from us, even though we are weak and languishing.
Yahweh tells his people that they “shall have no other gods before me,” he’s speaking into a culture whose very fabric is made up of the worship of other gods.

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I love books. I love authors. I love the way putting words down on paper incarnates ideas that might otherwise remain ghosts of the mind, flitting here and there in our gray matter.
Music is an inherent part of our humanity as image-bearers of God. And like all gifts, it is meant for the good of the receiver.
If you know me in the least, then you know of my fondness for the 2010 film Inception.
Before long I was deeply involved in the trilogy (the reader is invariably "drawn into" the story in a unique way, and for a good reason as we shall see).
It’s time to call bull on a theology the dominates Christianity.
We want to know how God rules this world, how he is present in all things, how he exerts his control over the course of world events. We want to know why some get cancer and some don’t, why terrible things happen to the best of people, why volcanoes erupt and hurricanes strike and fires consume.
God’s desire that all be saved led him to pay the price by which all are saved, all are justified.
When we explain away God’s Word, we jettison the reality of our ominous diagnosis in the “Thou shall/shall nots” of the law, and with it the sweet cure in the, “This is My body/blood” of the Gospel.
We can leave all the stuff of life behind, because our great treasure God flaunts before the world on Calvary.
When Dorothy, Toto and her 3 new friends finally arrived in Oz, they were met with a staggering disappointment. The Great and Powerful is Oz was not so great and powerful.
The Christian faith makes a bold claim: We are the world's problem, but we are not the world's solution.
We treat the Scriptures as if they’re our literary property to toy with as we please.