One might say that the first statement of the Reformation was that a saint never stops repenting.
Wisdom and strength require bootstrap-pulling and the placing of noses to grindstones.
“If the Son sets you free, you will be free indeed” (John 8:36).

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It may seem easy to believe in the God who changes water into wine, but it is not. For when man is at his happiest, he thinks the least of the true source of his joy.
All other subjects—even Biblical subjects—were subservient to an accurate view of the Person and work of Jesus Christ for sinners.
A star appears in the East. A spotlight over its Creator. A single constellation bows over that Light of Light from whom darkness flees.
The biblical witness is clear: all the so-called gods and lords and idols who are the object of people’s devotion, to whom they offer their sacrifices, to whom they pray, whom they call God and Lord, are sadly nothing but a front for the father of lies.
There are so many paradoxes that we can appreciate as we seek to grasp more of the meaning of the miracle of Christmas.
Isn’t it strange how the Jesus we end up with bears such a striking resemblance to ourselves? Our Jesus thinks as we do, acts as we act, speaks as we speak.
What every heresy does, in one way or another, is ungods God, unchristens Christ, uncrucifies the Crucified. It strikes through the good of Good News.
There is truly only one commandment and only one sin. That one commandment is “You shall have no other gods,” and that one sin is idolatry.
As I remember these stories of the other side of Christmas—where it’s not a wonderful life, where there’s no joy to the world, where silent nights are interrupted by screams and sobs and cursing and gunshots—I remember that this other side of Christmas is precisely why there is a Christmas in the first place.
Last night our family watched Pixar's Inside Out and yes, I'm very late to that Pixar party. I enjoyed the film. The personification of Joy and Sadness was extraordinary.
Over the course of her career, Madonna has demonstrated an incredible commitment to reinvention, keeping herself relevant under the critical eye that accompanies the culture of constant change in the world of music and art.
We harbor a clandestine doctrine in our hearts: we secretly hope there is a purgatory.